Nevertheless, after nearly 20 years as the face of British
terror, Cushing’s career took a step back in the 1970s. There are a few reasons
for this. One would be the death of his beloved wife Helen in 1971—a loss
that left him a shell of his former self for the remainder of his life. There
was also the fall of Hammer from its position of prominence into oblivion. For
much of the decade, the actor slummed it in roles that his fans and supporters
believed to be clearly beneath him. Even the role of the villainous Grand Moff
Tarkin in Star Wars, for which Cushing is perhaps best known by younger
audiences, was mainly undertaken by Cushing because he felt it would appeal to
children. Whatever the reasons for it, there is no doubt that Cushing’s 1970s
output was decidedly more erratic and of lower quality than the work that had
come before.
But it didn’t have to be that way. There are several
tantalizing “What Ifs” surrounding Cushing’s career during this period that are
enough to give any horror aficionado pause. The 1970s (and even 1980s) could
have played out very differently for him than they did, if only a few different
choices had been made.
In 1970, when American International Pictures was in
pre-production on a quirky, ambitious vehicle for Vincent Price, Cushing was
approached to play the chief protagonist alongside Price. Aside from Price, the
film starred an assortment of British character actors, and Cushing would’ve
been perfect heading up the bunch. It would’ve been a breakout role for
American audiences who knew him mainly for the British imports from Hammer.
However, Cushing’s wife Helen was very ill with the emphysema that would soon
claim her life, and the actor turned down the part in order to stay by her side
and care for her.
The film was The Abominable Dr. Phibes, and the role was
that of Dr. Vesalius, the noble foil to Price’s titular villain. American
Oscar-winner Joseph Cotten was eventually chosen for the part, and although he
is very effective in the finished film, his American-ness does make him stand
out like a sore thumb amongst the film’s cast (while Price was also American,
of course, his bearing and demeanor always helped him get away with it
somehow). The movie is easily one of the finest horror pictures of the entire
decade, and arguably better than any Hammer film put out during the same
period. There can be no doubt that Cushing’s presence alongside his fellow
horror icon Price would’ve only made it that much better.
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| Cushing as the ship's captain in Dr. Phibes Rises Again. |
Interestingly, Cushing—mere months after Helen’s
passing—would appear in the 1972 sequel, Dr. Phibes Rises Again, but in a tiny
role so unworthy of him one wonders why he was even cast. It would not be until
two years later that Cushing and Price would finally have the opportunity to
properly co-star with each other, in the Amicus production Madhouse. It would
be one of the only times.
Two years after Madhouse, wunderkind filmmaker George Lucas
was ramping his soon-to-be game-changing space opera Star Wars into production.
Although the cast would be made up largely of young unknowns, Lucas wanted two
British actors with established gravitas for two of the key roles—that of
wizened Jedi Knight Obi-Wan Kenobi, and of the evil galactic tyrant Grand Moff
Tarkin. Initially, the director approached Cushing for the role of Kenobi—but
presumably the actor’s horror track record and aristocratic, aloof on-screen
presence (a direct contrast to his warm, gentle personality in real life) led
Lucas to switch gears and instead cast him as the icy Tarkin. Fellow acclaimed
Englishman Alec Guiness was instead chosen to play the benevolent Kenobi.
Needless to say, had Cushing landed the part he was
originally approached for, he would’ve had the opportunity to appear in both
Star Wars sequels, The Empire Strikes Back and Return of the Jedi (as Guinness
did in the role), not to mention have his character reprised by a younger actor
in the later prequels (which Ewan McGregor did for Guinness). As it stands,
Cushing’s appearance in perhaps the most successful movie franchise of all time
is relegated to a one-time appearance that covers less than ten (albeit
memorable) minutes of screen time.
Star Wars raised Cushing’s profile with American audiences
higher than it had been in years, and hot on the heels of that
mega-blockbuster, Cushing was approached by another young upstart filmmaker by
the name of John Carpenter, hard at work on a project that was decidedly
grittier and less grandiose, and yet just as ambitious in its own right:
Halloween.
Carpenter was looking to redefine the parameters of horror,
taking some cues from earlier films like Psycho, but moving them in a
completely different direction. Nevertheless, it was a very small picture, and
no one understood at the time that he was basically inventing the modern
slasher subgenre. A rabid fan of 1950s and 1960s horror, Carpenter wanted
Cushing, one of his idols, for a key role in the film—that of Dr. Sam Loomis,
the beleaguered psychiatrist of psychopathic killer Michael Myers, who tracks
the maniac down to the sleepy town of Haddonfield, Illinois.
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| The movie Cushing made instead of Halloween |
It was quite a meaty role, but Cushing nevertheless turned
Carpenter down. Perhaps the then-somewhat-sordid subject matter was the reason
for this, although that argument loses some steam when one realizes that
Cushing instead chose to star in a clunker called Son of Hitler. Incidentally,
a disappointed Carpenter next asked Cushing’s Hammer cohort Christopher Lee,
who also turned down the part—a decision he would later cite as the biggest
mistake of his career. The part instead went to another British character actor—and
former Bond villain—Donald Pleasance.
In the wake of Hammer’s demise, Halloween could have been
Cushing’s grand return to horror relevance. The film became one of the most
groundbreaking horror pictures not only of its time, but of all time, and
Cushing as Dr. Loomis would’ve been the most eloquent evolution of his old Van
Helsing character, a scientist tracking a ruthless murderer, taken to a whole
new, thoroughly modern level for a new generation of horror fans. It also
would’ve all but guaranteed repeat appearances for Cushing as Dr. Loomis in the
three Halloween sequels in which Pleasance instead appeared over the course of
the 1980s. That would’ve meant we’d have Peter Cushing front and center in a
top horror film series during an era when all his fellow former horror icons
had faded from prominence in the face of Freddy, Jason, Pinhead and their ilk.
Now that would’ve been something.
As it stands, we’re left only to speculate on the further
greatness Peter Cushing may have sustained in the 1970s and 1980s, and an alternate reality in which Cushing starred alongside Vincent Price in Dr. Phibes, played Obi-Wan Kenobi in the Star Wars movies, and was Michael Myers' mortal enemy. Clearly, it
just wasn’t meant to be, and the actor’s deep depression during those years is
reflected in both his lackluster roles and comparatively half-hearted
performances. Peter Cushing gave us all he had during his entire career—it’s
just sad that in those later years he had so little left to give. We’ll have to
be happy with the Peter Cushing of the 1950s and 1960s, at the height of his
powers, creating a breathtaking and unforgettable body of work. For most of us,
that’s more than enough.
This post is part of Pierre Fournier's Peter Cushing Centennial Blogathon, celebrating the 100th anniversary of the birth of one of horror's greatest treasures. Please check out Pierre's excellent blog Frankensteinia to find all the other posts in the blogathon!
